a truly dancefloor hymn where indie-house gets fused with synth-pop. incl. a signal flow/pattern drama remix

marking a clandestine arrival out of, seemingly, nowhere, black swan emerges from the shadowy billows of smoke to immerse listeners in a lucid, cavernous dream, tracing silhouettes in the darkness with drowning ambience and orchestrated drones that screech and howl intermittently amongst the disorienting magnetic tape disturbances. black swan operates under a guise of far-away sounds traveling through murky waters, drowning the listener in its heavy-handed layers of ghostly resonance.
12 inch vinyl lp only limited to 500 copies worlwide.

nice price deal !!! a journey where techno enters a land of shadows and rarefactions, escaping images, dark suggestions. where gravity becomes a relative concept, uncertain, and where cinematic refractions count as much as the dance floor rules, in a continuous encounter. it is time to get involved. after plenty non trivial satisfactions, at the end of 2013 comes the time for federico to higher the stakes. he leaves the clockwork project for a solitary one. the richness of past experiences, the years in new york (and in musical and retinal education). a musical background that goes from the sharp and geometrical hip-hop of gang starr to the spirituality of basic channels techno dub, passing through the visionaries of radiohead and to the complex lightness of matthew herbert. now, all this brings the will to give life to a new sinuous, fascinating and profound creature. millennium ep 2014. five tracks that create space, that map an itinerary, that breathe deeply.

more essential burrell related goodness from the vaults of nu-groove. this time the brothers collaborate with basil thomas aka the wonderfully named basil hardhaus on “make me dance-, another stomping ny garage house smasher from 1991. it’s all here, vocal mixes, dubs, shout outs to all the radio and club dj’s of the day, the record store and promotions people and most importantly - the regulars and dancers of nyc’s legendary shelter club where the brothers were regular fixtures! on the flipside there’s more garage pressure in the shape of the grooving “for the underground” and 2 separate mixes of the much sampled (but never bettered!) “black man-. all the tracks included here have that deep, late night, classic sound that is instantly recognizable as the burrell brothers, sultry vocals, warm pads & heavy, swinging, raw drum beats! “make me dance” has always been one of the tougher 12&#8243,,,,,,,s to track down from the enviable nu-groove catalog. now it’s here, back again, re-mastered, re-pressed and re-issued in conjunction with the burrell brothers and nu-groove records. complete with original label artwork. one for the real house heads!

metropolis- is it an actual city or a digital fantasy a construct formed inside a synthetic brain? either way this is the soundtrack to a city that exists somewhere. a place that comes alive at nightfall and breathes artificial light until dawn. where millions of human threads interweave, and a machine conciousness drifts by on the periphery, searching for an intimate connection. limited pressing.

>sleduyushly< or who is next on sol asylum is anton zap. we are pleased to be closing out 2014 with the delightfully well-crafted deep house that resonates within anton. we start with talking a simplistic yet deep and ever-evolving atmosphere with peculiar echoes and noises that speak to us through constantly moving metallic percussion. next rublewood with its trotting wooden clicks and oscillating claps we morph through the track until the euphoric themes expand bringing us to the next level. in my lesson, anton channels a 90s ambience with a definite feel for funk. arpeggiated synths with just a hint of acid mixed with harmonic pads and unconventional horn riffs bring this eccentric soundtrack together. finally her lesson brings us to more experimental territory with a futuristic outer galactic journey through space and time where a metronomic kick, walking bassline and gleaming pads transport us to another dimension.

2014 was a busy year for ztrl and tape hiss alike. we’ve been enjoying the support of numerous music-addicts, record collectors and djs for which we are massively grateful. this is exactly why we are going back to where it all started and bringing you a new ztrl release. the tracks which are featured on jelen (’now’ in english) ep work well on their own yet they form a cohesive sound when put together. each track on the release is universal as we can think of them as dj tools in a good sense or as slowly building independent compositions. it’s up only to the djs how they wish to use them.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

new kid sublime house fire, a quick 300. tip! kid sublimes back in the ballroom series, a homage to the first clubs appearing and dance music like disco, r&b and house was played. a tribute to “the warehouse” from chicago on the westloop (hence the loop –side b), where frankie knuckles (r.i.p.) used to dj as a resident. beside the term “house” derived from that particular era, the first volume of the back in the ballroom series is a record where kid sublime takes you back to the dance-floor. for the fans of that timeless sound by pioneers like steve -silk- hurley, frankie knuckels or a nowadays kenny dixon jr..ready for another kid sublime classic? b-boy house with that amsterdam twist!!

for a long time, vidal benjamin has been getting up early at the weekends. whether alone or in company, he digs his hands into various crates at record fairs, flea markets or in empty attics, to uncover records that have long been forgotten, ignored or even despised. among the small circle of parisian diggers, his reputation precedes him: it is he who finds and it is he who shares. it is not unusual that in his wake, one finds a certain record long lost, left behind as a special gift from vidal. he likes to share so that others may discover. and it is for that same reason that he regularly sleeps late, playing records in clubs at night, where he follows a similar path: altruistic, educational and festive. it’s no surprise, then, that his first compilation goes by the fitting title of disco sympathie.

hello. this is pastamusik speaking. for more then 10 years the munich based label issues with constant inconstancy special musical tales from the underground. and since not all stories told and not all songs played and yet not all cows have returned home, we are ready to add another chapter within this tradition. pastamusik proudly presents with “collage” by macchina nera it’s first long player. the talented munich based dj and producer macchina nera already draw some attention with his first release in 2005 (under a different alias). followed by several releases on different labels around the world he finally found a solid home base with pastamusik, that resulted in a number of successful releases. so it was a logic consequence in taking the next step and to compile the highlights from his last two years productions in his first album. munich meets munich. or even better – munich meets the world. then all of the sudden tracks of macchina nera became regulars in the sets of various djs around the globe. and this is where he starts with his first album and tells with his unique symbiotic style of house, disco, techno and funk little musical tales from the cities and it’s clubs, from all night dance, glimmering dancefloors and dark corners, from big love and big dramas…..even if it only lasts for one night. and as versatile and diversified like these nights are the consistently energetic tracks, full of unexpected turns and small details that make it worth to listen a little closer enough said for now, let the music speak for itself. the album will be available in vinyl, cd and digital release, available at real record stores as well as in the digital world of internet. here comes the soundtrack for spring, summer, autumn an of course for winter. timeless! beautiful!. thank you!.kisses! your pastamusik.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

little fluffy rave clouds…

remastered reissue of the 1996 double-album *i m a rainbow* by queen of disco donna summer. pressing on heavyweight 180 gram vinyl, download code included.

this split release by cdp and sleeparchive is limited to 300 copies.
cdp is the project of r.semsroth and a.friedrich. the songs where released on very limited cassettes some years ago. the sleeparchive side contains 3 new tracks + 1 new loop. fifty fences was recorded live at club josef berlin 15.10.2009

kosme has dived into the depths of his soul and returned with three striking tracks, which float tightly between vitality and robust despondency.archipel emotions is deep, sincere and exceptionally personal. it leaves the listener asking questions about themselves, is there a more exotic country available other than the chaotic landscapes of our own, secret gardens? all three tracks manage to take you on a journey where the landscape under your feet is confined to the illusory, to a dimension of paradise and peace. the reshape by fred p, itself offers an ecstatic, spiritual experience. glimpses of magic have been seen before on his earlier releases but archipel emotions firmly places kosme as the pilot of this cosmic adventure. strap in people, and prepare… text written by maxime gueugneau

the no stress express rolls back into town with their second offering for rogue cat sounds, where they pick you up and transport you to the sunnier climes and headier days of 1980s caribbean. steel drums, loose-limbed percussion, lazy synth stabs and carefree basslines, all infused with a whiff of woodbines, jerk chicken and dark rum. as the sun sets, the party picks up momentum. barefoot beach dancing.

after the big success of the first vinyl release, inwave prestents its second one with 4 massive tracks by vinyl speed adjust, zph, dubsons, vincenzo monastra. an amazing split where all artist expressed their own style, as scything sounds, and a variety of vibes lunge from the darkness. techno-minimal and romanian style that reveal inwave a perfect place to be.

listen to this if you like: anything that weve put out last year, wrapped together in a lovely double pack of a 12inch and 10inch. the roundup part 1 is the first part of an annual recurring event: the big heist family remix ep, where all artist names get put in a big bowl, and by luck of the draw, find themselves remixing (and remixed by) another heist artist. weve got max graef remixing dam swindle and turning the break up into a full on graef-affair.

reminiscent of a time where we were releasing 4-tracks sampler every month (remember the secret gems from the vault) it is naturally that we thought about a various artists sampler in order to introduce the new wild bunch. julian m, is french and is taking over right now, releasing here his first track on briquerouge, but the man is no beginner, having released on catwash, homecoming, denote, to name but a few and of course recently on our own rz muzik, his music is deep, acid, techy and ready to please any crowd, ange siddhar is working for laboratory records and works with legendary artists such as ron carroll, paul johnson or chris count and now teams up with illan nicciani on several house project, they have a strong vinyl lovers community following their releases and just joined the label with the show

following on from her highly acclaimed ett lp on editions mego klara lewis presents 4 new works which further her signature explorations of field recordings, electronics, rhythm, sound and atmosphere. here lewis exemplifies her uncanny ability to harness the world outside in order to reconstruct and re-present this as amorphous musical matter. these 4 new tracks exude a certain ambiguity where standard signposts such as rhythm, ambience, texture, light and dark remain as elusive as they are present. whilst bypassing passive or photographic representation of the source material these works withhold a strong emotional quality resulting in a confident and at times brutal musical manifestation. as suggested by the title, msuic resides in a zone at once familiar and slightly off kilter, a world of lewis devising in which the listener is warmly encouraged to enter and explore. msuic is another superb collection of music as fantastic matter.

people strive for stability, however nature constantly creates instabilties. from the beginning to the end, you stay in the extreme. you have the opposite direction in the ordinary life. close your eyes. the place where you have gone was your field.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

fresh from his outing on inkswel s hot shot sounds label, ex uk now melbourne based artist paradise box brings four freeform nu groove style excursions to echovolt, flipping the quintessential house acapella on reel nitty gritty into a burrell brothers style banger. the other tracks touch on virgo four, mr fingers and classic wbmx style hardware soul, making a virtue of idiosyncrasy and showcasing the fallibilities of the human touch. the whole ep harks back to an era where having limited means meant that loose and expressive soulful endeavor was pursued over high production values and rigid conformism.

from the heart, from the soul, this is where the jiminis music comes from. jimini is a french producer who started djing early 90s, during the last 2 years he released music on blind jacks journey, série limitée, lo-deep, simple things and others.

• an organic, cold pressed and nutritionally balanced new 4 track ep from dont !
dont returns with a brand new various artists ep and the first in a new series that takes over where the * rumpus room* records left off.. * square meal* is designed to present to you a nutritionally balanced techno record, food for thought as well as for feet.. containing absolutely no artificial constituents but plenty of roughage and active ingredients !
the a side contains 2 heavy bangers, and the b side, 2 slices of amazingly quirky and rocking wonky style techno. man of the moment joe farr steps up and serves us a heavy one, dense, big boned techno music that manages to morph into gabba and back out again. this one is causing a stir whenever its played and fits perfectly with the dont ethos of extreme idea implementation! next up cursor miner returns to the label with a demented banger that has been road tested extensively during his live sets and comes with a health warning.. flip the record over for 2 slices of beautifully freeform wonky techno, the first coming from newcomer - sane and the second from dont veteran * edit*

13th studio album now available on white double vinyl

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

legendary finnish electro pioneers mr velcro fastener return after a very long absence with this long-awaited and much-anticipated ep on cyber dance records. full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the tku ep sounds like the innovative duo never went away, effortlessly picking up where they left off. brinkkala opens proceedings with their classic signature brand of detroit-meets-finland robotic funk jamming, while the next track bridge over nothing delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises - and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. the sonic assault continues on side b with ologrammed , a pulsating monster of a track that pushes the velcro fastener sound into ethereal realms that evoke the likes of technasia or the hacker in their mid-90s heyday. the ep closes with johnny s wood , a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism. copies are limited of this essential purchase for die-hard electro connoisseurs everywhere, so don t be slow as they re sure to go!

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

if the first black narcissus album did not knock you out, this second double lp could address the problem by being more precise where it hits.

label head vohkinne steps up to the plate again with the sweaty and headstrong 3 rd release from atrophic society, creole rhythm. its concrete rhythm, combined with an analogue lead riff stirs echoes of warehouses, insistently driving forward, mindful of where its been. tripeo remixes the title track with gusto and flair as weve come to expect, staying faithful to the riff whilst aggressively re-paving the rhythm, offering a slight twist on the original idea. rounding out the ep, be like the sun removes the rhythm to focus on tone, frequency, shades of sub bass and saturation

cowboy rhythmbox are nathan gregory wilkins and richard x, latest signings to phantasy. coming together to create their own singular strain of music for dancing, they draw on a collective love of outsider house, bargain bin cut-outs, hard drive debris, rudimentary jack trax, obscure tv themes, euro disco, ebm, detroit techno, the smith & wesson model 3 and horses. we got the box brings to life the playground game of repeat-a-word-until-it-sounds-weird, pushing and pulling a disembodied voice by milliseconds to create a hypnotic mind episode. on the flip rattle takes off where their debut track shake left off, a devastating barrage of industrial drums and frenetic chants. the vinyl ep comes with download code.

a key member of the minus family for almost a decade, jon gaiser is to release his lead single krakdup preceding his full length release false light in november. since 2005, gaiser has been at the heart of the minimal techno movement. his hugely atmospheric eps and lps have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals

hot on the heels of moscomans dark horse ep, im a cliches latest release features indonesias best kept secret, the talented jonathan kusuma on the gong 3000 ep where tracks ranging from the heavenly to the downright gritty showcase the full range of the producers abilities.

2014 erschien *where the wild oceans end*, das zweite album der als poetin der nacht gefeierten berliner sängerin. mit einer limitierten 7-inch-single stellt andrea schroeder ihren song *until the end* vor. als besonderes extra gibt es auf der b-seite eine aufnahme des liedes zusammen mit dem deutschen filmorchester babelsberg. ein muss für alle fans, streng limitiert auf 500 exemplare.

vinyl only
lorentz back in action for little hill! with a long side (14.58) where there are two original tracks, madicosa and choose in it, lorentz show us his gentle sounds, with homesick tracks. if you flip records you can find two great works made by mattia trani, label-head of pushmaster discs, with his 909 remix and damien schneider, apologue recordings, with more effective techno remix.

hanfry martinez & javier carballo present overall music limited series (vinyl only). for the first release ovllmltd001,label owners get together with their good friend hector to bring us the daggers track.a trip threw the lower,dark hipnotic house,taking us back to the golden days of this sound during the first years of the decade of 2000,reminding us of the works of legends like peace division or terry francis.this release is completed with 2 remixes,the first of rumanian duet livio & robi aproaching a detroit sound in focus,where the chords and a strong bassline are the remix s leading rol,techno for the tough minds.guti is the chosen for the second version of the daggers,a mix of techno & house deepnes where guti plays with the original sounds, adding percusive elements,pads and distorted voices,giving the track some tension and mysticism.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

anstascia d elene and vivie-ann bakos aka blond:ish are members of the notorious kompakt and get physical families along with a slew of other labels, they have carved out a niche thanks to their dark, sensual club music, sultry dj sets and outrageous, fun-loving attitude. a slew of original productions, remixes (the last one for the electronic music legends depeche mode) and gigs all over the world helped reinforce their undying love for music and demonstrated that, where words fail,blond:ish s music speaks.

greco-romance. it has often been said that the early underground parties thrown by the greco-roman artist collective, party and record label were romantic affairs. maybe it was the punch, maybe it was the music, but love was certainly in the air. and so the third solo ep from hot chips joe goddard picks up where last summers ep *taking over*s love affair with club basements left off.

kia ora to ipolynesia! the electronic island where shakin coconut grooves and flowin melodies are served round the clock by some beautiful islanders right on the sandy shores.

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

towards distance - embarking upon a journey into the unknown, where only the journey is the reward – not the destination. a road trip into distance. towards the horizon. getting in motion and never standing still.
180 gram double vinyl in gatefold sleeve.

drums are rollin , chords evolve and the bass just sits there, right where it belongs - gorge is back! the label-head returns to 8bit with three new tracks to give your sets that extra spice of deep. although sharing the same vibe and quality, each production stands out on it’s own through individual elements and dynamic arrangements. azuka ep is a timeless clubbanger and perfect fit for any tech-djs collection, enjoy. supporter: anja schneider, sidney charles, mihai popoviciu, oliver koletzki, noir, daniel stefanik, felix da housecat, dubfire, reboot, sasha, jimpster, leon, richie hawtin, hot since 82, joseph capriati, matthias tanzmann, nick curly

third release from relapso records where the host brings new fresh techno to the floor. brings new fashion old 909 beats to this world from mirage and hunted conquers. this pack has also two great remixes from the masters brendon moeller and iori, where they show his talent in how to kill a dancefloor with great grooves and beats.

odd even is the new label project from andre kronert. created as a wide open space and blank canvas for friends and peers to release music that andre himself will include is his dj sets. odd even is a playground for both music and art, with each release receiving a full vinyl press and exclusive cover artwork.
001 is from the label boss himself and features the stripped, staccato sounds of the title track and the stealthy purring acid of isolation. the labels first remix selection sees andre look to argentina and two of the countries finest musical exports, jonas kopp and pfirter. both take terminus into tougher territory where kopp twists the piercing note of the original and pfirter assaults us with his blistering drum work.

good job 030303 got their hands on these six tracks by rolando simmons as they remind you of where acid got its name from: this is music to trip to. the 303 is abused to the fullest while simmons adds snares and outlandish melodies to the acid bubbles and bleeps that are never far away.

love club was an obscure one off project fronted by jay -mixin- dixon, a dj with a long history at nycs kiss fm where he played deep house and garage on the stations legendary master-mix show in the early 90s. the record also features a mystery, uncredited female vocalist assisted by some top shelf studio personnel manning the boards.